“At the centre of the performance is Alexandria Moon’s brave, committed and beautifully sung account of the title role. With her warm mezzo, she’s tender and vulnerable, yet there’s a core of steel and she spits out the text like bullets.” (The Guardian, August 2024)
“Moon's Concepcion was a strong figure, one who repeatedly broke the fourth wall and drew us in. Yes, she might be scheming to cheat on her husband, but she made us feel sympathetic and amused. Moon's performance was vibrant and pointed, yet always she seemed to combine strength with flexibility of line.” (Planet Hugill, November 2024)
“And, it’s hard to believe that Alexandria Moon, who made her principal role debut at the Royal College of Music in Flight in July, has only just finished her undergraduate studies. Her rich mezzo-soprano has bags of expressive and dramatic potential – her ‘Greensleeves’, as she awaits the lecherous Knight’s arrival is wonderfully sensuous – and her confidence and character on stage are impressive. She’s definitely one to look out for.” (Opera Today!, August 2022)
““In the role of the “Older Woman” was Alexandria Moon, an undergraduate although her ample yet unforced timbral depth, command of range and color, alongside an unrestrained vibrato and vocal fluidity paint her as far more adept than most undergraduates I’ve heard. With warmth and an uncontrived musicality to the line, dare I say the truly magical words “Bel canto,” I eagerly look forward to seeing her on stage again in the future.””
““The singers are also on lively form, led by Moon as a more deliberating, glossy-toned Child than maliciously snarling or wilful.””
““On opening night we saw a poised Alexandria Moon leading the scheming Windsor ladies as Alice Ford, mink around her shoulders and in her tone.””